Guitar Nine Columns

Displaying 883 - 924 of 4230

Enjoy over 25 years of staff columns, guest columns, interviews and more!

February-March 2002
Guitar Nine

Gutty Guitars, Expressive Vocals

February-March 2002
Guitar Nine

Just Enough Brilliant Fingerstyle

February-March 2002
Guitar Nine

Progressive/Metal, Jazz/Fusion Instrumentals

February-March 2002
Guitar Nine

Jackhammer Picking, Dive Bombs Away!

February-March 2002
Guitar Nine

Rock/World/New Age Instrumental Works

February-March 2002
Guitar Nine

New England Based Metal Band Strikes Back

February-March 2002
Guitar Nine

Polish Instrumental Neo-Classical Masterworks

February-March 2002
Guitar Nine

Bluesy Shred, Instrumental Hard Rock

February-March 2002
Christopher Knab

Music industry guru Christopher Knab with tips on building the ideal music promotional kit.

February-March 2002
Francesco Fareri

Another fistful of double arpeggio ideas.

February-March 2002
Mike Campese: The Fire Within

Mike returns with the second part of his column on coordinating your hands, while developing speed and accuracy.

February-March 2002
David Martone

You can bet your low `E` string that Canadian guitarist David Martone can improve your bottom end.

February-March 2002
Tom Hess Opus 2

Neo-classical guitarist Tom Hess will break you of your tendency to quit.

February-March 2002
Miguel Mega

You need to get `out` more, well, at least your playing does.

February-March 2002
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas offers the benefits of a good review program in your practice regimen.

February-March 2002
Tim Sweeney

Indie marketing guru Tim Sweeney chips in on the makings of a great stage show.

April-May 2002
Guitar Haus

I think gear is important because you want to sound your best. I took it to such an extreme, but that`s the cool thing about the studio - you can always learn and prepare for the time you get to record the next CD.

April-May 2002
Guitar Nine

Makin' The Blues His Business

April-May 2002
Guitar Nine

Progressive Blended With Americana & Jazz - Progabilly!

April-May 2002
Guitar Nine

High Energy, Christian Heavy Rock

April-May 2002
Guitar Nine

Jazz Guitarist Releases Remarkable CD

April-May 2002
Guitar Nine

Percussive Acoustic Guitarist Plans Career

April-May 2002
Guitar Nine

Modern Shred Guitar From Germany

April-May 2002
Guitar Nine

Off-The-Scale Experimental Acoustic

April-May 2002
Guitar Nine

Group Blends Modern & Classic Rock

April-May 2002
Guitar Nine

Southern-Fried Slide, Rockin' Blues

April-May 2002
Guitar Nine

L.A.'s Guitar-Based Rock/Pop

April-May 2002
Christopher Knab

Music industry guru Christopher Knab offers observations that should be taken as wake-up calls about establishing your career.

April-May 2002
David Martone

Getting rid of those nasty sonic holes in the center of your mix, by Canadian guitarist David Martone.

April-May 2002
Greigg Fraser

Canadian guitarist Greigg Fraser spills the beans on essential reading for guitar students everywhere.

April-May 2002
Steve Pappas

Fingerstylist Steve Pappas arranges a beautiful Irish ballad for guitar.

April-May 2002
Gerald Klickstein

The formulation, explanation and practical use of a new guitar tuning method.

April-May 2002
Gianluca Verrengia

How to play the same rhythm-melodic sequence on the same beat, starting on a different sixteenth each time.

April-May 2002
David Nevue

Musician and author David Nevue answers a very common question, "How can I sell more CDs on the Internet?"

April-May 2002
Scott Morris

A brand new column by Billboard Magazine Top Rated Instructor Scott Morris.

April-May 2002
Colin Mandel

A look at ways to create scales that are not taught, but invented.

April-May 2002
Mike Campese: The Fire Within

Mike returns with some ideas on how to incorporate half-tones and other non-scale notes into your lines.

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